วันอังคารที่ 1 พฤษภาคม พ.ศ. 2555

Child of the Fire: Mary Edmonia Lewis and the Problem of Art History’s Black and Indian Subject

Product Description Product DescriptionChild of the Fire is the first book-length examination of the career of the nineteenth-century artist Mary Edmonia Lewis, best known for her sculptures inspired by historical and biblical themes. Throughout this richly illustrated study, Kirsten Pai Buick investigates how Lewis and her work were perceived, and their meanings manipulated, by others and the sculptor herself. She argues against the racialist art discourse that has long cast Lewis’s sculptures as reflections of her identity as an African American and Native American woman who lived most of her life abroad. Instead, by seeking to reveal Lewis’s intentions through analyses of her career and artwork, Buick illuminates Lewis’s fraught but active participation in the creation of a distinct “American” national art, one dominated by themes of indigeneity, sentimentality, gender, and race. In so doing, she shows that the sculptor variously complicated and facilitated the dominant ideologies of the vanishing American , sentimentality, and true womanhood.Buick considers the institutions and people that supported Lewis’s career—including Oberlin College, abolitionists in Boston, and American expatriates in Italy—and she explores how their agendas affected the way they perceived and described the artist. Analyzing four of Lewis’s most popular sculptures, each created between 1866 and 1876, Buick discusses interpretations of Hiawatha in terms of the cultural impact of Henry Wadsworth Longfellow’s epic poem The Song of Hiawatha; Forever Free and Hagar in the Wilderness in light of art historians’ assumptions that artworks created by African American artists necessarily reflect African American themes; and The Death of Cleopatra in relation to broader problems of reading art as a reflection of identity.

Product Description Child of the Fire: Mary Edmonia Lewis and the Problem of Art History’s Black and Indian Subject Read More
Recent Product
#
CERTAIN CONTENT THAT APPEARS <IN THIS APPLICATION or ON THIS SITE, as applicable> COMES FROM AMAZON SERVICES LLC. THIS CONTENT IS PROVIDED ‘AS IS’ AND IS SUBJECT TO CHANGE OR REMOVAL AT ANY TIME.

African American Concert Singers Before 1950

Product Description Product DescriptionMarian Roberts, Roland Hayes, and Paul Robeson were among the most visible early African American concert singers, but they were not the only ones. Many others were involved in the arts as concert singers and, given the times in which they lived, achieved tremendous results in the face of great adversity and helped pave the way for the post–1950 African American vocal artist. Drawn from articles, reviews, programs, biographical sources, and interviews, this work is a survey of the unknown early African American concert singers. Much of the information from periodicals was taken from The New York Amsterdam News, The Chicago Defender, and The New York Age. The book covers the African Americans who came before Roberts, Hayes, and Robeson, and details the opportunities available in Europe for black concert singers.

Product Description African American Concert Singers Before 1950 Read More
Recent Product
#
CERTAIN CONTENT THAT APPEARS <IN THIS APPLICATION or ON THIS SITE, as applicable> COMES FROM AMAZON SERVICES LLC. THIS CONTENT IS PROVIDED ‘AS IS’ AND IS SUBJECT TO CHANGE OR REMOVAL AT ANY TIME.

The Earl of Essex and Late Elizabethan Political Culture

Product Description Product DescriptionIn sixteenth-century England Robert Devereux, 2nd earl of Essex, enjoyed great domestic and international renown as a favourite of Elizabeth I. He was a soldier and a statesman of exceptionally powerful ambition. After his disastrous uprising in 1601 Essex fell from the heights of fame and favour, and ended his life as a traitor on the scaffold. This interdisciplinary account of the political culture of late Elizabethan England explores the ideological contexts of Essex's extraordinary career and fall from grace, and the intricate relationship between thought and action in Elizabethan England. By the late sixteenth century, fundamental political models and vocabularies that were employed to legitimise the Elizabethan polity were undermined by the strains of war, the ambivalence that many felt towards the church, continued uncertainty over the succession, and the perceived weaknesses of the rule of the aging Elizabeth. Essex's career and revolt threw all of these strains into relief. Alexandra Gajda examines the attitude of the earl and his followers to war, religion, the structures of the Elizabethan polity, and Essex's role within it. She also explores the classical and historical scholarship prized by Essex and his associates that gave shape and meaning to the earl's increasingly fractured relationship with the Queen and regime. She addresses contemporary responses to the earl, both positive and negative, and the earl's wider impact on political culture. Political and religious ideas in late sixteenth-century England had an important impact on political events in early modern England, and played a vital role in shaping the rise and fall of Essex's career.

Product Description The Earl of Essex and Late Elizabethan Political Culture Read More
Recent Product
#
CERTAIN CONTENT THAT APPEARS <IN THIS APPLICATION or ON THIS SITE, as applicable> COMES FROM AMAZON SERVICES LLC. THIS CONTENT IS PROVIDED ‘AS IS’ AND IS SUBJECT TO CHANGE OR REMOVAL AT ANY TIME.

Pueblo Recollections: The Life of Paa Peh

Product Description

Product Description Pueblo Recollections: The Life of Paa Peh Read More
Recent Product
#
CERTAIN CONTENT THAT APPEARS <IN THIS APPLICATION or ON THIS SITE, as applicable> COMES FROM AMAZON SERVICES LLC. THIS CONTENT IS PROVIDED ‘AS IS’ AND IS SUBJECT TO CHANGE OR REMOVAL AT ANY TIME.

Patrick Kavanagh Biography

Product Description Product DescriptionSeamus Heaney has coupled Patrick Kavanagh with W.B. Yeats as the two most influential figures in twentieth century Irish poetry. Kavanagh was born in Co. Monaghan, the son of a cobbler-cum-small farmer. He left school at thirteen but continued to educate himself, reading and writing poetry in his spare time. In 1929 he began contributing verses to the Irish Statesman and was soon publishing in Irish and English journals. His first collection, Ploughman and Other Poems, appeared in 1936 and was followed by an autobiography, The Green Fool, in 1938. In 1939 he moved to Dublin where he spent the rest of his life as a freelance writer. He first emerged as an important literary voice with his long poem, The Great Hunger, in 1942. Other collections appeared in the following decade to growing critical acclaim. Kavanagh's work was his life, but he was also part of social and literary Dublin for almost thirty years in the company of a gifted generation of writers, among them Flann O'Brien and Brendan Behan. His position in the history of Irish poetry is secure. Antoinette Quinn's biography will be the standard life for many years to come.

Product Description Patrick Kavanagh Biography Read More
Recent Product
#
CERTAIN CONTENT THAT APPEARS <IN THIS APPLICATION or ON THIS SITE, as applicable> COMES FROM AMAZON SERVICES LLC. THIS CONTENT IS PROVIDED ‘AS IS’ AND IS SUBJECT TO CHANGE OR REMOVAL AT ANY TIME.